Skip to main content

How to Play Your First Gig

The way you present yourself on stage in your first gigs can make a big difference to the success and longevity of your band. The music can be terrible, howling with feedback, out of tune or time. But with character and energy, you can gain fans who will come to more gigs and allow you to develop and improve musically. Just by having confidence, you can make it a great band!


In your head, you might aim for this perfect musical gift for the audience....




However, deep down you know that it's more like this kind of gift....


And that's where the first bit of learning comes in. Don't feel bad about what you do; be proud!


In your first gig, you are showing what you can do. Yes, you should rehearse and plan and promote all that you can, but being a good band is about persuading people that you are a good band. So which of these statements after the gig sounds like a good band?

"It's usually better when the drummer's in time. Sorry it was rubbish"

"Wow! that was great. I don't care if you don't like it. That's us"


But I so often hear the first kind of comment so many times from inexperienced bands. 

Never apologise for what you do; otherwise you might as well give up. After you have played 10-20 gigs, you will actually be much better and it will be easier for an audience to enjoy your playing. The problem is that most new bands fall out over terrible gigs and audiences don't enjoy watching an apologetic band. Many split up before they've had a proper chance - often because not everybody is committed to the project and there is no shared vision of what you're trying to achieve.

The band thinks that the issues are tuning, timing, playing badly, forgetting the words, not being able to hear...... all of these things can be sorted out with experience. 

However, the audience thinks the issues are ... lack of confidence, being boring, taking too much time between songs, looking shy, staring at the floor or the instruments, not being any fun, being self-indulgent, not being aware of the audience, looking as if the band hate each other ........ I could go on.

The point of playing a gig is to play it FOR AN AUDIENCE otherwise why not just stay in rehearsal, or ask your mum and dad or girl/boyfriends to come and listen to you if those are the people you want to play for. So think who you want to play for and what impression you want to create.

Top 15 tips for your first gig:


1. Publicise it well - not just to your friends but as widely as you can, at least 1 month in advance.

2. Don't involve your parents on the night.

3. Be prepared to spend a bit of money on tickets, posters, free sweets or other gimmicks.

4. Know which is your best song - start with it and do it again as an encore.

5. Agree a set list and practise the songs in the same order over many weeks.

6. Practise eye contact with the audience. Don't look at the floor or your guitar.

7. Look happy, cute,  angry, cocky or sexy. Choose one, or vary throughout the set.

8. Avoid on-stage clichés. Don't ask the audience how they are. Get on with it. 

9. Make sure guitars are in tune, and be able to tune quickly onstage if needed.

10. Practise moving about while playing. Get someone to film you rehearsing.

11. The drummer should show character by waving, shouting etc occasionally.

12. Tell the audience you want them to dance, or move closer or clap or whatever.

13. Avoid stimulants. You need to be able to perform without if you're going to survive.

14. Look as if you love each other and are having a fantastic time, however bad it is.

15. Get as many people to talk/share with others about the 'amazing' gig then do it again soon.

Comments

  1. Dear Ruth, thanks a lot for sharing the information on Po! I came across Po! a few years back on a blog on rare out-of-print records and instantly was impressed by the music (i am a bit music nerd and spend a lot of time searching for records). The songs have a special subtile warm melancholy feeling. I had a file of the song "ever been had" that i played frequently, it was in a playlist together with Tracey Thorn, Felt and alikes (unfortunately, i lost the playlist when the hard-drive broke).

    ok, just wanted to say hi and thanks for the music..

    ReplyDelete
    Replies
    1. Hey there KCBC; great to hear from you. I hope to put some more PO! tracks online soon. Are you in the UK because I am playing a gig in London in April - just solo.

      Delete
  2. This comment has been removed by the author.

    ReplyDelete

Post a Comment

Popular posts from this blog

Why PO! is a terrible name for a band

Back in 1987, PO! was a great name for a band: This was the exact moment when we decided to call the band PO! - outside a white-tiled cinema in Leicester ................... and look at my Walkman on the ground! PO! was short, so that you could print it in font size 300 to be easily seen on a poster. It was trendy to have an exclamation mark back then. I chose the word PO! because it meant lots of different things in different languages; it was a common word around the world  but a bit intriguing for the English.  In 1987, there were no other bands called anything like PO! as far as I know.  This photo session was done while we were talking about possible names. The original band members were me - Ruth Miller, bass player Julian Glover and Drummer Marc Fuccio. If only we had thought a bit harder about possible future inventions that might impact on us.... In 2019, PO! is about the worst possible name for a band.  Internet protocol means that an unknown ban

Making 'Little Stones' PO!'s first album

My blogging history of PO! got stuck around 1989. That's when 'Little Stones' was made. I'm hoping to re-release it soon, so here's a little information about it.  PO!'s first album, Little Stones, was recorded by Terri Lowe of The Originals on his  Tascam 1/4" reel to reel 4-track machine at a cost of £20. Members of The Originals played the backing tracks, recorded at Leicester's Chatham Street basement. This was because the former members of PO! had left me with with no musicians. The vocals, extra guitars and other instruments were recorded at the Originals' house on Aylestone Road (on the corner of Rutland Avenue) over a number of weekends when there were no Leicester City home matches. (Terri Lowe went to the home games).  I had written most of the songs over a period of a few months. Usually I composed on acoustic guitar with a pad and pen to write down chords and vocal melodies down before evolving the lyrics. I can remember livin

Songs by Ruth Miller

Looks like it could be the Royal Mail, Leicester? Today I am in the mood for lists, so here it is: A list of 80 songs written by Ruth Miller A Lovely Letter A New Grandma A Page a Day Albert Stole My Heart Appleseed Alley Better Bigger Wall Bus Shelter  Confidence Danny's Girl Early Hours of Summertime Elephant Chains Empty Vessels Engineering Ever Been Had Failed Inventor Farmyard Fay First Foot George Orwell's on the Trail Ghost of the Green Grass Glamour Glass King Good Behaviour Good Boy Jacob Haunt You Higher Than Your Smile I took my Head on a Date I Won't Stay In a Mermaid Tail in My Dream In the Rain Ipswich Jacqueline's House Jennifer Television Kitchen Sink Drama Northampton Labour Club Last Bus Home Leopard Lips That Are Not Mine Loneliness Look for the Holes Lying on my Side Milksop My Head's on Fire No Flowers Northern Wonder One Last Thrill Plastic Charity Girl Poor Old John Pop Stars Wives