Ruth PO!

I have little idea of music theory. I am not an amazing guitarist or piano player, yet I have been able to write songs that I'm proud of and that have produced effusive responses from people who have never met me and don't owe me any loyalty in praising my creations. I know that you can go to music college and learn the theory that will make you effective at playing and writing, but I also believe that there is an element of personal passion and the wild nature of beginners and amateurs that stands tall and makes good songs. So: Most songs consist of a vocal melody that is sung (unless it's a rap), with a rhythmic and chord-based backing. A lot of people write songs by playing around with chord riffs or patterns and then singing over the top of it. Often the result is a vocal melody line that just follows the changes of the chords and is therefore either simple perfection, or more likely, rather dull. However, if you're a young band just starting out, or a gro

I love Community Arts.  It used to be a kind of yogurt-weaving joke; the idea that rough kids from inner city estates would do a bit of circus skills, parachute co-operation games and muck about with old lorry tyres and somehow get civilised. I still think it works. I still think that it's better than doing nothing. http://can.uk.com/ There are half-dead men in their 40s, who grew up in affluent suburbs and never experienced Community Arts. If you grow up with financial stability and success as a default, it must seem weird that anyone would ever want to do those things -  how can making a giant elephant out of old pallets be useful for young people who should be training for jobs? I guess there's always been bad parenting; there are selfish ones and immature ones and ones that just aren't around enough. But when I was younger, Community Arts filled that gap. There were dens and adventure playgrounds and youth centres, and arts wo