Ruth PO!

I wanted to make a new band fuelled by my own shell-shock. After a long, plain and lovely childhood, I had suddenly encountered the cruelty of the world and been badly affected by a short spell of 'adult bullying'. Suddenly I could see terrible treatment and inequalities everywhere and I had to tell the world about it. From my 'Spare Rib' Diary of 1987, it looks like I auditioned drummer Marc Fuccio as a potential new drummer for The Soviets but then hijacked him to form PO! with bass player Julian Glover in February. We practised at Archway Studios initially, with Julian coming round to my flat on Highfield Street, Leicester to write songs.  I did not have much furniture, so we sat on the floor. The first time, I came up with a song called 'Fairweather Fowl'. Like PO! songs until the very end, the mood was anger, sweetly sung.  In those early days, I wrote the song 'Danny's Girl' in an attempt to portray how you can love som...

I have little idea of music theory. I am not an amazing guitarist or piano player, yet I have been able to write songs that I'm proud of and that have produced effusive responses from people who have never met me and don't owe me any loyalty in praising my creations. I know that you can go to music college and learn the theory that will make you effective at playing and writing, but I also believe that there is an element of personal passion and the wild nature of beginners and amateurs that stands tall and makes good songs. So: Most songs consist of a vocal melody that is sung (unless it's a rap), with a rhythmic and chord-based backing. A lot of people write songs by playing around with chord riffs or patterns and then singing over the top of it. Often the result is a vocal melody line that just follows the changes of the chords and is therefore either simple perfection, or more likely, rather dull. However, if you're a young band just starting out, or a gro...

I love Community Arts.  It used to be a kind of yogurt-weaving joke; the idea that rough kids from inner city estates would do a bit of circus skills, parachute co-operation games and muck about with old lorry tyres and somehow get civilised. I still think it works. I still think that it's better than doing nothing. http://can.uk.com/ There are half-dead men in their 40s, who grew up in affluent suburbs and never experienced Community Arts. If you grow up with financial stability and success as a default, it must seem weird that anyone would ever want to do those things -  how can making a giant elephant out of old pallets be useful for young people who should be training for jobs? I guess there's always been bad parenting; there are selfish ones and immature ones and ones that just aren't around enough. But when I was younger, Community Arts filled that gap. There were dens and adventure playgrounds and youth centres, and arts wo...

I didn't grow up in an overtly political family. As a young child, Mike Yarwood was my route into politics; through his impressions, I knew many politicians of the time. I did think that Women's Lib had their own party, which seemed a good idea, but then I found out that Lib meant Liberals. When I was 11, I asked my mum which way she would vote. I wasn't surprised when she told me she was a Liberal, like her friend, Councillor Kate Neil, in Clevedon. I was shocked, when she said my dad would vote Labour. Until then, the media had given me the idea that Labour were the party of smelly factories and nasty aggressive men. My clean, mild-mannered schoolteacher dad did not fit that image at all, but I think that got me interested in finding out what the parties stood for.  Me, Snow Brian Clough, Mum, Front Brother Peter Subsequently, my dad often claimed to have 'given up' on politics. He used to say something like 'I gave up on religion in 1959,  ...